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Porn doesn't depict a sexuality that precedes it, but is rather (alongside medical, juridical, literary, and other discourses) one of the devices that construct the epistemological framework and trace the boundaries within which sexuality appears as visible. It's made of fragments of space-time, abrupt changes of shot, backlit sequences, opening shots, high- and low-angle shots, bird's-eye shots, zooms, voiceovers...desire, locked in the editing room, cuts, colors, reorganizes, equalizes, and assembles.

Sexuality isn't natural: it's a cultural construction.

It relates to a psychosomatic apparatus constructed collectively through language and image, supported by norms and social controls that modulate and fashion desire.

Therefore, the relationship between sexuality and pornography isn't of the order of representation, but of production.

Feminist critic Teresa de Lauretis asserts that, in modernity, photography and cinema function as authentic technologies of sex and sexuality: they produce the differences of sex and sexuality that they claim to represent.

The Brand X presenter then described his 14 month marriage to the singer as like being on 'a diet of rice' making his post-divorce dating spree feel like being let loose in Willy Wonka's chocolate factory.

Not the most flattering metaphor for Katy, who interestingly enough often dresses as candy and cakes on stage (and never rice), but then the 37-year-old Essex boy is, after all, a comedian... Her dad came from sort of a crazy background, and her mom went to Berkley in like the sixties.and a bawdy one at that.'We had a really great relationship actually. They were more born again Christians, so I think they kind of identified with me.'In an interview with Jimmy Kimmel on Tuesday night, Russell dodged the dating question and he and the talk show host joked about how much time he has been spending with his yoga teacher Tej Kaur Khalsa of late.When you say that they are Christians, Howard, they are not. Until this time, women and sexual and racial minorities didn't have access to the editing room.They were simple objects of representation: little by little they have become subjects.Again, when I speak of minorities, I don't refer to a number but to an index of sub-alterity.